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Seasonal Anime Checkup OVA–13 Sentinels: Aegis Rim

This week, Jared and I get to talk about a sleeper hit from last year, Vanillaware’s 13 Sentinels: Aegis Rim. Since we’d be here for days if we went beat by beat on the story, we chat about the general overview of the story, our favorite moments and characters, and we read through Jared’s notes he took to try and keep everything straight in his head.

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Seasonal Anime Checkup OVA–JoJo’s Bizarre Adventure OVA

A while back, Jared and I talked about the 2014-2015 version of JoJo’s Bizarre Adventure: Stardust Crusaders. It’s a fantastic and bizarre (forgive me) anime, and so Jared and I wanted to go back to the early days of Stardust Crusaders and see what the animated offerings were from 1993 and 2000. We ask how does this adaptation compare to the newer version? Why is it so much more violent? Why can’t anybody pronounce anything!?! Yare yare daze.

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Seasonal Anime Checkup OVA–Legend of Heroes: Trails of Cold Steel III Demo & Life is Strange 2 (Ep. 1-4)

This week, we play two games in which neither of them has the full version out yet. Whoops. First, we start with the Legend of Heroes: Trails of Cold Steel III demo. Jared and I are huge fans of the Cold Steel series, and the demo gave us a quick intro to what’s happened since II with Rean. We’re both lamenting that we now have to wait a whole month to play it. Then we talked about the first 4 episodes of Life is Strange 2. We discuss the story, our decisions, and how this game has some amazing political commentary. Again, now we wait until later this year to see where it goes, but we’re looking forward to that conclusion.

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Seasonal Anime Checkup OVA-Anime Grab Bag!

So, I did a not very AL-like thing and watched a bunch of anime on a whim recently after I finished a kdrama and started getting Netflix recommendations. First, I watched 2011’s Anohana: The Flower We Saw That Day, which is sad and cute. After that, I watched one that I wasn’t as into, KyoAni’s Violet Evergarden. While it’s definitely beautiful, I discuss my problems with it here. The last one I watched was Kaguya-sama: Love is War from earlier this year. Jared actually had watched some of that, so we got to chat about what we liked and what it reminds me of. LASTLY, Jared ran a super gauntlet and has finally finished all 220 episodes of Naruto, including all the filler. You get to hear his thoughts too.

Listen here for all the anime goodness!

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Seasonal Anime Checkup OVA–Super Mario Odyssey

Hi all! This week, Jared and I decided to talk about the other Nintendo contender for game of the year–Super Mario Odyssey! We talk about nostalgia, mechanics, music (because of course. It’s me!), our favorite things to throw Cappy on, our favorite and least favorite stages, and how it compares to past Mario games. We give a spoiler warning before we get too deep into the story.

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Let’s Learn Vega!

What is Vega?

Vega is a tool for creating visualizations based on D3.js and JavaScript. For comparison, Vega is the D3.js equivalent to R’s ggplot2. While D3 visualizations require you to think of all of the possible aspects of the visualization, Vega allows for quick visualizations through data manipulation without needing to input all the little details that quickly become quite complicated. As with D3, Vega is creates a JSON visualization that is a representation of the data that is fed to it.

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Wrapping Up

This week, we discussed networks and crowds. As someone who has been interested in the utilization of crowds for the purpose of the historical record and memory (currently for my project, I am very interested in creating a memory archive of photographs, videos, and written memories from video gamers throughout the years), I felt like this week was right up my alley. 

Beyond the creation of a repository for the memories, it is also important to create something that is both interesting and useful to the public as well. My experience working with the Center for History and New Media has helped me to further understand more how to work with the public while also creating something that is fun and useful for the members of the public. (My background is originally in Public History, as my MA is in the topic from the University of Central Florida.)

Another aspect that is interesting to me is the idea of social networking for these projects. As we know, social networking immediately makes whatever visible that you post to them. For my Clio 2 project, I utilized social networking to gather memories. I feel that a greater reach through Twitter, Facebook, and even blogs will be important to get a wider range of responses. My project was a way of testing the waters, and I did get many more responses than expected. I will try to continue this line of thought for the dissertation.

I’ve learned a lot this semester, and I will continue to think along the lines of digital history and the field for the exam in the fall. I feel like i further understand the field in which I work, and that experience is so useful for my future as a historian.

 

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Digital History Minor Field

I realized as I was writing my last blog post that I never explained fully what was going on with me and my blog. Currently, I am taking my readings course for my Digital History Minor Field. Every week, with my classmates, I read several theory works written regarding a topic in the field of digital history. 

If you’re interested in the readings that we discussed, the order of these topics, and some of the things that have been said, I have inserted a pdf of that information here. 

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Every other week, I have been blogging about my thoughts on the topic, how i feel I could utilize some of these ideas, and where I think digital history and historians stand in the field. I’m almost at the end of the semester, and I have both discovered more regarding the field that I previously knew and thought about how this would apply to my future dissertation. (Which is important) Please feel free to go through the previous posts to see my thoughts.

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Text Mining

Unlike some of the weeks of this course, text mining was something that we had actually done before. (For those interested, the results and process are here through several blog posts.) However, When we did that work in February, we (or at least me) were really new to text mining. Through Programming Historian, we were able to work our way through a version of text mining that gave us some sort of results. The problem with this process was that since we were new to the process, we 1.) missed a few technical steps and 2.) did not really get to read into some of the practicalities of text mining.

This week’s readings help to flesh out some of the missing pieces from the project, as well as understanding the complications, such as the double meanings of words and how words can be entirely different to work with than numbers. Historians, by nature, are very comfortable with working with words and discovering their underlying meanings throughout the context. However, there can be complications, such as dealing with figurative language. Traditionally, we read within the context to understand what these things mean. With a large corpus of texts, it can be useful, and sometimes even insightful, to see what types of patterns exist.

One of the issues that I ran into with topic modeling and the process is how to coax out silences that  historians are used to dealing with in historical texts. I am, however, unsure of how to represent those silences or predict where they would occur. 

Further, a common theme that has occurred in the readings for digital history is the need for legitimacy– to explain how these things work so non-digital historians might understand what we did. Ted Underwood states that we need to understand the black box behind text mining, such as the algorithms. However, we discussed in the class how monographs and historical work tends to cut out the methodology now. Why is it important for digital historians to explain their work, whereas traditional historians do not? I do feel that is important to understand the concepts and ideas behind topic modeling, but I feel that the constant need for explanation and legitimacy could potentially limit the projects that could emerge from digital history.

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