Anne Ladyem McDivitt Posts

This week, with the portfolio site due, I decided to try out altering a template using Dreamweaver. The results, luckily, were not terrible. It took a lot of work to try and figure out how to make the HTML work with the template, especially when I did not recognize some of it. I took out pieces that were not needed for my website, and I removed anything that I haven’t learned yet, for simplicity’s sake. Obviously the website will get better as we move forward in the semester and learn more, but overall, I am pleased with my results.

The worst part this week was figuring out how to attach my website to the domain via my FTP. I realized, after so much frustration, that I had been using the wrong FTP information when trying to connect, but I got it sorted out. Everything should be working, and I look forward to being able to make a website that is visually appealing and interesting.

The URL is here, so you can see for yourself my results.

See my comment on Sara’s blog.

For one, I completely relate to Jannelle’s issue of an important website being pretty terrible. My experience with the Washington Gas site has been miserable!! It shows that design truly is important, and something we all must think about as we move forward.

As I was reading about design, I saw a list of four things good graphic design does. These things are:
1. It captures attention.
2. It controls the eye’s movement across the page or screen.
3. It conveys information.
4. It evokes emotion.

Although this list seems pretty “duh”, it really stuck with me as I read that design really isn’t that much different than what we do as historians. Those things on the list–we do them with writing. As historians, we build an argument and a story using the resources available to us. As digital historians, we must think of building in much different ways. I, in particular, felt that the Stanford Web Credibility Project will be very useful for us to utilize when we create our own projects. Much like historians use the old method of peer-reviewed journals and academic presses, this can be our new guide of how to tackle design for our projects.

This week, I commented on Kirk’s blog.

Hi guys! Most of you, I remember from last semester, but I just wanted to say that this is now my blog for Clio Two. I look forward to seeing you all this semester, and I hope that this will be a fun and informative semester.

Since we have been exploring the world of digital history throughout the semester, I figured that this topic would eventually come up. One thing that I have noticed while working with the fields of digital and public history is that collaboration is key to success, whereas traditional history focuses on one author, one book. However, as Dr. Kelly mentioned earlier, there is some type of collaboration in that process as well that makes the end product possible. With public and digital projects, the product can be multi-authored. There is also the aspect of working with the community, where even further collaboration is needed to make the project happen. 

As you all are used to by now, one article in particular stuck out to me this week– “Improvising Digital History in the Deep South Digital Desert.” Being from Tennessee originally and doing most of my undergraduate and graduate work until now in Florida, I have dealt with the issue of digital history being taken seriously. Michael Mizell-Nelson says, “More students will undertake and complete digital projects once their thesis or dissertation advisors and entire departments value – and not merely approve of or tolerate – such work.” At my MA program, we had an option of a public or digital history project, but it was not the encouraged choice. With the research programs, collaborative projects were not encouraged, as only one person could “win” the forum, even if it was collaborative.

Once more programs and historians embrace collaboration and digital history, I believe that we will get more creative projects from it. I think I’m just rambling at this point, I believe, as I like the idea of being able to collaborate. I want more creativity, and I want the field to embrace it more!

Dr. Kelly wrote in Teaching History in the Digital Age, “It is a bit disheartening to realize that more than 100 years ago historians were already warning their peers about the problems of lecturing.” I, too, find this information troubling. I’ve also been thinking about my own experiences both teaching and learning during my BA, MA, and now PhD processes. In my experience, incorporating the digital can sometimes just mean, “slap a powerpoint up there so they aren’t bored.” (Which, we all know how well THAT works!) But how do we get students to utilize the wealth of sources available to them? How can we assist them in being creative with their historical understanding and analysis without creating an altered document (like the Nuremberg video). I used to teach 4th graders, and although we could not give them digital means to learn history, we DID want them to be hands on. All of the exhibits that we had for our museum were required to have some type of interactivity. Can’t this also be applied to teaching history to older students with digital means?

I, for one, love the idea of letting students go on their own to find their sources, with guidance on how to choose a good source beyond “use .edu.”I love the idea of giving more choice than “use what I give you.” Isn’t that part of the historical process? Why are historians so fearful of changing how we teach students history, and why is there this ongoing theme that these new concepts are scary? All they can do is enhance our understanding of history even further. 

More and more people are using social media as a method of communicating with each other and their ideas every single day. We know that these ideas are being recorded by the companies, and the information could potentially be used for research. Some of this information is considered “private” information, while others are very public. I was struck by Lev Manovich’s assertion that the digital footprint of people on these social networks should not be considered authentic. Historians already deal with that notion, as they have had to compare the private and public thoughts of many people that are constructed through private letters and public declarations of their feelings and beliefs, and often times, these ideas do not coincide. 

Historians go through private and public information to demonstrate an argument regarding a historical event or figure (amongst other things). We use private data, such as letters or diaries, to formulate these arguments. Those letters or diaries were not meant for us to read. They were the private thoughts and communications of an individual. As many of you, while doing the readings this week, as well as our ongoing discussion of information on Facebook, I started to wonder…how is this concept any different from what we already do, besides there being more of it? How does having data from millions of Facebook users change what we do, or how could it? It’s interesting to think about, and it will be something that we and future historians will have to tackle soon. 

Previously, I have mentioned my idea for my project, which would be a connector tool for historians. What does that mean exactly? Well, if you have ever tried to use H-Net, you are aware that it is very fragmented and can sometimes be a pain to actually use. What I envision is a fusion between Quora and H-Net, which would allow historians to connect to each other to ask questions about research, funding, conferences, etc.

All of this information would be searchable through tags, rather that being entirely fragmented by subtopics, and it could make it easier for historians to utilize these resources. Although I envision this tool being free to use, I do believe it would be helpful for it to be locked to having a university or professional affiliation email to register, which could potentially keep students from trying to use it to ask individual questions. 

Here are my mock ups of my main page and what a board page would look like: 

I believe this would make a historian’s job a little easier and a little less isolated if this tool were to actually exist, and it is something that I have had in mind since I was first introduced to H-Net. Obviously there are improvements that could be made to my idea, but I do think it could be helpful.

I’ve noticed a trend with myself and readings for history courses–I always find one item in the reading that particularly strikes me, and I latch onto it. This week, it was a quote from Brian Sarnacki’s “Spatial History” that hit me. He quotes David Staley as saying, “visualizations cannot be simply an “add on,” but need to be a fundamental part of the research project from the beginning.”

As a side note, I am also taking the history and cartography course this semester, and so these are ideas that I have to tackle myself while working with mapping. Does having a visualization change the research outcome? What does and can a visualization add to a project? Why can’t a visualization serve as an “add-on”–having a visualization and the traditional scholarly methods work as partners? I know that there is a hurdle in learning how to do visualizations and spatial history, but that hurdle also exists for learning how to do traditional scholarly research. 

Personally, I see many of these things as new tools for historians to learn, grasp onto, and utilize for the future of doing history. I consider it sort of like a new methodological approach to doing history, much like past shifts in doing history.